In the meantime...
As regular readers of this blog know, I love old movies. Back when movie stars had talent, and (for the most part anyway) knew to keep their mouths shut about political crap they knew nothing about. I have no clue how Humphrey Bogart voted, and I don't want to know.
Well, one of my favorite movie stars is Doris Day (Watch it! Hey, I'm Doris Day. I was not brought up that way. Won't come across, even Rock Hudson lost his heart to Doris Day...) She's both a talented comedian and dramatic actress, as well as a great singer and terrific dancer. As well as a genuinely nice person.
Well, in the late 60s, when she was wrapping up her movie career (because she seemed so anachronistic with her cleanliness and perkiness and nice-girl-ness, what with all the free-living, non-bathing, mellowed-out pot-smoking hippies out there), her husband signed her to a contract to do a TV show. (The marriage had problems.) She found out about it, but, since she had made a commitment, however unknowingly, she honored it. (See what I mean about anachronistic?)
It was called The Doris Day Show and the first season was on in 1968 (if I remember my Roman numerals, which I do). The first season didn't do great in the ratings, and if I remember correctly, she worked with the producers to change the show around for the second season, and it was a much bigger success.
However, what I have from Netflix right now is the first disc of the first season, so that's what I'm here to preach on today. She's a widow with 2 kids, who lives with her dad, Denver Pyle (better known as Uncle Jesse to those of us Gen-Xers), her two sons (neither one of whom I recognize, and I can only hope they didn't hold up a 7-11 for drug money), and a housekeeper and farm hand. Oh, and a dog, Lord Nelson.
It's an interesting cultural study, seeing as it was on the air before I was born and all. There's an episode where her sons want to take her out to a fancy dinner for her birthday, with money they earned themselves. (It turns out to be a steakhouse, and they don't have enough money, and ...)
But the episode that really interested me was called "The Friend." It seems that the mothers at the school had a fundraiser for "The Milk Fund" (which is apparently to ensure that all kids at school get a pint of milk a day) and somehow, they don't have the money. Then a friendly local dairyman says he will donate the milk to the school, on one condition: Doris and her kids must pose for his new milk ad. (Get your mind out of the gutter, people! It's all very sweet.) But then his ad man informs them that studies have shown that people want to see ads with a mom and 4 children, 2 boys and 2 girls. Well, Doris doesn't have any daughters. The ad man wants to get professional models to play the kids, but the dairyman and Doris have a better idea. Have the sons each bring home a friend from school.
Can you see where this is going? Yes, that's right. One of the boys brings home a little black girl, because she's his friend. And the ad man freaks out, and wants Doris to tell the little girl that she can't be in the picture.
We end up at the dairyman's office, with the ad man and Doris having a discussion about it. What I find fascinating about the scene is what wasn't said. There were no big speeches, there was no breast-beating, Doris didn't screech like a hyena (Doris never screeches like a hyena). She's very calm, and very quiet, and at the same time very compelling. And instead of coming up with a non-solution which pleases nobody, she comes up with a solution which pleases everybody.
I was really impressed. When this was playing out, I was thinking to myself, Good grief! I can't believe this! I have done my level best to ignore the whole Imus/Duke fracas over the last few days, and now this? But it was really fascinating. And you must keep in mind this is 1968, so I'm thinking after MLK and Malcolm X were killed, etc.
And, as she always does, Doris shows the way to behave that is classy and dignified and yet still able to get her point across. Why do I have a recurring fantasy of a Clockwork Orange-esque scene with Rosie O'Donnell tied to a chair, forced to watch Doris until she learns how to behave with a modicum of dignity?
Well, one of my favorite movie stars is Doris Day (Watch it! Hey, I'm Doris Day. I was not brought up that way. Won't come across, even Rock Hudson lost his heart to Doris Day...) She's both a talented comedian and dramatic actress, as well as a great singer and terrific dancer. As well as a genuinely nice person.
Well, in the late 60s, when she was wrapping up her movie career (because she seemed so anachronistic with her cleanliness and perkiness and nice-girl-ness, what with all the free-living, non-bathing, mellowed-out pot-smoking hippies out there), her husband signed her to a contract to do a TV show. (The marriage had problems.) She found out about it, but, since she had made a commitment, however unknowingly, she honored it. (See what I mean about anachronistic?)
It was called The Doris Day Show and the first season was on in 1968 (if I remember my Roman numerals, which I do). The first season didn't do great in the ratings, and if I remember correctly, she worked with the producers to change the show around for the second season, and it was a much bigger success.
However, what I have from Netflix right now is the first disc of the first season, so that's what I'm here to preach on today. She's a widow with 2 kids, who lives with her dad, Denver Pyle (better known as Uncle Jesse to those of us Gen-Xers), her two sons (neither one of whom I recognize, and I can only hope they didn't hold up a 7-11 for drug money), and a housekeeper and farm hand. Oh, and a dog, Lord Nelson.
It's an interesting cultural study, seeing as it was on the air before I was born and all. There's an episode where her sons want to take her out to a fancy dinner for her birthday, with money they earned themselves. (It turns out to be a steakhouse, and they don't have enough money, and ...)
But the episode that really interested me was called "The Friend." It seems that the mothers at the school had a fundraiser for "The Milk Fund" (which is apparently to ensure that all kids at school get a pint of milk a day) and somehow, they don't have the money. Then a friendly local dairyman says he will donate the milk to the school, on one condition: Doris and her kids must pose for his new milk ad. (Get your mind out of the gutter, people! It's all very sweet.) But then his ad man informs them that studies have shown that people want to see ads with a mom and 4 children, 2 boys and 2 girls. Well, Doris doesn't have any daughters. The ad man wants to get professional models to play the kids, but the dairyman and Doris have a better idea. Have the sons each bring home a friend from school.
Can you see where this is going? Yes, that's right. One of the boys brings home a little black girl, because she's his friend. And the ad man freaks out, and wants Doris to tell the little girl that she can't be in the picture.
We end up at the dairyman's office, with the ad man and Doris having a discussion about it. What I find fascinating about the scene is what wasn't said. There were no big speeches, there was no breast-beating, Doris didn't screech like a hyena (Doris never screeches like a hyena). She's very calm, and very quiet, and at the same time very compelling. And instead of coming up with a non-solution which pleases nobody, she comes up with a solution which pleases everybody.
I was really impressed. When this was playing out, I was thinking to myself, Good grief! I can't believe this! I have done my level best to ignore the whole Imus/Duke fracas over the last few days, and now this? But it was really fascinating. And you must keep in mind this is 1968, so I'm thinking after MLK and Malcolm X were killed, etc.
And, as she always does, Doris shows the way to behave that is classy and dignified and yet still able to get her point across. Why do I have a recurring fantasy of a Clockwork Orange-esque scene with Rosie O'Donnell tied to a chair, forced to watch Doris until she learns how to behave with a modicum of dignity?
Labels: culture of rudeness, Doris Day, Netflix Rocks, TV shows
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